Σελίδες

23.10.18

Poly Kasda, Twixt Cup and Lip, surfing on the WB legendary spaces, Biennale of Western Balkans 2018


Twixt cup and lip

Polyxene Kasda

Installation 200X1000cm, printed digital/manual images, 2018

The West Balkan Peninsula is undergoing a transitional state of self-restructuring that raises issues of regional connectivity and integration; a convergence challenge largely shaped by its geo-plastic peculiarities formulated in its irrational and yet persisting dogmatic formulas and legends. In a rudimentary attempt to raise mythical awareness and get emotional proximity to this unexplored “virtual space of spectrality” (Derrida), I started surfing on the Balkan legendary waves, leaving behind me a panegyrikon trail of playful doodles. In so doing, I came across haunting figures like the Albanian kallikantzaros and the terrible  ما شاء الله Shtryga with the pale blue eyes..Ι hovered over the Serbian well of Ορφεύς and the pyramid mountain Rtanj said to conceal a spaceship …I met the Slavic three headed dragon Zmey and I witnessed the fly-harassed Bosnian bull Tur balancing on a multieyed fish while carrying the globe on its back…


Poly Kasda, Twixt Cup and Lip, BoWB 2018
ΠPoly Kasda, Twixt Cup and Lip, BoWB 2018
Poly Kasda, Twixt Cup and Lip, BoWB 2018

Bio PolyXene Kasda
PolyXene Kasda is homo sentient of Greek origin, grown in the drifting fields of cosmopolitan Alexandria-Lost (Egypt). Trained in fine arts at the Soeur Hermann Besancon workshop in Alexandria, Egypt, she received her academic education in Physics-Chemistry in Cairo and Psychology-Sociology in Athens. Her project Myth/Network 1990-2017 is a psi-glued proposal for the fluid self-immersive aesthetics of transience, expressed as an ideography of the WWW before its spreading (ΕΜΣΤ, archive code 1595, 91), rhizomatic structures (Cultural Contribution Award University of Lucian Blaga, Sibiu 07), multi-sensorial hybrid mappings, topos-engendering RL Boardgames, linguistic/numerical structures (Honorary Medal EETE 09), innovative material PXK (Golden Medal OFA Beijing 08, Best Artwork Award PrimoPianoGallery Lecce 17), inter-space imagery and horticultural -metaphor- generated SAGA projects (Life Achievement Award Visionary Art, Lecce, Italy 17). She lives in Athens, she works everywhere.



30.4.18

poly kasda doodling her inter-projects' "waiting factor"

 https://plus.google.com/u/0/collection/cEapMF @polykasda
plus.google.com/+PolyxeneKasda

















https://www.dropbox.com/s/be19twpg6poifoq/Poly-Kasda.pdf?dl=0



PolyXene Kasda, Egypt-born, ‘neither-artist-nor-writer’ Greek homo sentient, studied Fine Arts at the Soeur Hermann Besancon workshop in Alexandria, Physics - Chemistry in A.U.C Cairo and Psychology - Sociology in ACG Athens. In her long artistic and writing career she has been haunted by Something Essential Missing (Kasda, SEM 90), the transcendence (Xene) / immanence (Poly) interface, liminality, spectrality, myth, the intangible and perception in art, consistently occupied with the improvisation of new materials (PXK ) and metissian processes of space generation, experimenting with forms of Agro-Social Action Generative Art  (Kasda, Uranias Gardens 09-17)  and visionary pragmatism (Visionary Art  Life Achievement Award 17). She is an international multi-awarded artist. Her latest artwork was Twixt Cup and Lip, Surfing on the WB legendary spaces, a 200X1000 cm painting+digital print installation for the Biennale of the West Balkans 2018 Greece.Her book “The Conscious Eye: Art-Perception-Informatics” (1986) marks the beginning of the art theory and artificial intelligence discourse in Greece (Zikou, 2017).
Poly in Austin Texas Oct. 2018

12.4.18

"Μητιόεντα τεχνάσματα στο Τρίτο Γένος"

"Μητιόεντα τεχνάσματα στο Τρίτο Γένος" δεκαπεντάλεπτη εισήγηση της Πόλυ Κασδά αύριο Σάββατο 14/4, στις 11 το πρωί, στο Sυμπόσιο Aνεξάρτητης Tέχνης, στο ΕΜΣΤ (πρώην ΦΙΞ).

https://www.youtube.com/watch?v=GwVQBYbIcmw

21.12.17

Merry Christmas and Happy New Year 2018

@ Poly Kasda, Doodling Interlude, series 2017

11.11.17

Artificial Intelligence and Art Theory in Greece



https://lekseikones.wordpress.com/

Art Theory and Artificial Intelligence in Greece

by Mariana Ziku


A documentation of 30 years of cross-disciplinary research with dialog between Poly Kasda and John Kontos.
In this years conference “Taboo, Transgression, Transcendence in Art & Science” (26-28 May 2017, Ionian University, Corfu Greece) I presented an essay in an html format on the intersection of art theory and artificial intelligence in Greece through a case study and a critical approach.
You can browse the html presentation here: http://lekseikones.metartnet.com
The adventures of the eye
Snippet from the film documentary ‘The adventures of the eye’ (Οι περιπέτειες του ματιού) by Poly Kasda, directed by Marc Gastine, TV show Periskopio, Athens, Hellenic Radio Television, 1986
The paper -soon to be included in the conference proceedings- is a follow up of my theoretical research in the cross-disciplinary field of art theory and artificial intelligence.
You can read the abstract below and the full paper in Academia:
Title
Art Theory and Artificial Intelligence in Greece: A documentation of 30 years of cross-disciplinary research with dialog between Poly Kasda and John Kontos
AbstractThe essay aims to bring forward the ongoing collaboration of artist-writer Poly Kasda and professor of artificial intelligence John Kontos, who marked the beginning of the art theory, consciousness and artificial intelligence discourse in Greece in the mid 80’s, based on an original research.
To this end, the essay outlines three projects of Kasda‒Kontos collaboration in the course of 30 years, which explored the intersection of their threefold field of endeavor:
  • The film documentary ‘The Adventures of the Eye’ (1986)
  • Kasda’s book publication ‘The Conscious Eye: Art – Perception – Informatics’ (1988)
  • Kasda–Kontos’ joint book publication ‘Artificial Intelligence Professor John Kontos needles Poly Kasda’s “Conscious Eye”: Perception – Consciousness – Diegesis – Discovery – Creativity’ (2015).
In respect to Kasda–Kontos’ research in process, I will attempt a critical reflection between art theory, consciousness studies and artificial intelligence, stressing in particular the concepts of myth and mythical thought, which Kasda has explored persistently with original contributions through her long-term project Myth/Network (1990-2017).
Keywords
art theory, artificial intelligence, consciousness, Poly Kasda, John Kontos, introspection, myth